Tag Archives: grad school

The Wasteland: Dating in Grad School

I’ve been single for so long that none of my current friends have known me with a partner.

My dating life for the past seven years has been a series of starts and stops, misunderstandings and miscommunications, and unrequited loves galore. It’s particularly bad because I spend months, or even years at a time completely floored by mood episodes that leave me unable to care for myself, forget dating. When I can afford to think about dating, I’m usually hung up on some guy that either strung me along or didn’t want me, causing me to believe in the falsehood that I was unworthy of their love. If I fall, when I fall, I fall hard and am essentially inconsolable until I completely move on, which, to the chagrin of my inner circle, could be years. (I honestly still cringe at the number of hours I spent crying over the dude I was in love with the last half of college. Whew, chillay.)

In undergrad, everything was so ephemeral and there was no pressure. Not to mention, I was at UVA on a mission to get that degree and nothing else mattered. My blinders were on and I didn’t stray from the path. When I emerged four years later, with a degree in hand, I barely had any relationships to show for it, friends or otherwise. But now? Now I’m putting the pieces in place to build the life I’ve always wanted. Being a grad student is the start of my career, not just preparation. Everything in my academic career is falling into place: I’ve developed a brand that’s based in large part on transparency and public facing work, I have a publication in the works, I’m getting ready to pass my comprehensive exams and propose the course of my dreams to teach next year. I have a platform and my words are making their way out into the world. My social life, however, is an actual wasteland.

There are plenty of things that account for that. 1) Williamsburg, VA is not where you go when you’re in your mid-twenties and you’re figuring out your life. It’s where you go when you want a nice place to retire, and yes, I figured that out after I accepted my place here. So there’s a scarcity of young people; specifically young Black people that aren’t undergraduates, so 2) my pool is limited. Then, even if there were young Black people to meet in my area, 3) I don’t go out. I spend most of my time holed up in my apartment working, and when I’m not there, I’m holed up at my parents’ doing work. So, it’s partially my fault, but also even if I wanted to go out, there’s nothing to do, which is related to point 1.

Then, once we get past those factors, there are the more troubling concerns that no one really wants to talk about. A plus-sized, solidly brown-skinned girl is rarely anyone’s top choice. Drop my degrees, ambition, height and willingness to stand up for myself into the mix and you’ve got an “intimidating” woman, who should be avoided at all costs. (I can already anticipate the dudes in my mentions once I post this article trying to refute these claims, but you try being single for seven years and then we’ll talk.)

The worst part is, once you get past all the superficial reasons why I’m single, you get to the core–is it me? That guy from undergrad seemed to have a cutting word about me for almost every letter of the alphabet. Some days, I was “abrasive,” others I was “bossy” and “demanding.” Did those words actually describe me? Maybe. But at my core, underneath the sarcasm and hard exterior, few people could see me for who I am: an over-emotional, empathetic, but loveable piece of work.

While working in a profession that makes me doubt myself daily, my lack of social life really makes me doubt my worthiness. After spending all day worrying if I’ll pass comps, if I’ll ever get published, if I’m good enough to teach, I get to spend all night wondering why I haven’t been good enough for anyone in nearly seven years. My engaged friend soothes, my church girl prays, my other single friend commiserates but at the end of the day, I’m still me, alone and stuck in this spot for as long as the dissertation dictates, with no prospects and no hope.

Well, not quite. “The hopeless romantic in me won’t let the hope die,” as my friend Alexis would say. I hope I can have my career and a family one day. The good news? I’m still young and there’s plenty of time for things to change, but for now I guess I’m just chilling in the Wasteland, waiting for Future Husbae to appear.

I can’t wait to meet him.

Fade to Black: Double Consciousness/Double Grace

Aristotle and I have a…difficult relationship.

On my second day of class, after being assigned to read Aristotle’s Poetics, I was asked my opinion on the work. My response: F**k this white man. If you know me, I know what you’re thinking, “Did Micah just cuss!? Micah neverrrr cusses!” I was just as shook as you are and actually cried later because I felt like I didn’t rep Christ well in that moment. In reading that text, I felt like so much of the work that I love was erased, dismissed, and undervalued. Poetics is regarded as one of, if not the most, important texts for dramatic writers. Something scared me and angered me that this was the only measure by which my work might be judged. But if the tongue is a reflection of the heart, then that moment scared me even more.

So let’s call this my heart check.

Truth is, I don’t actually hate Aristotle. I hate the idea that writers are expected to worship this white man who presents only a limited perspective on storytelling. But if I’m being honest, he has a lot of valuable things to say. I also don’t hate rules—I just hate the systems of supremacy that create them. I mean, who am I kidding? Is there a film that follows three act structure more closely than Love & Basketball? Is A Raisin in the Sun not a Well-Made-Play? Does every episode of A Different World not have two turns and a comic block?

I think that I’m neither the artist that Aristotle nor Amiri Baraka would have hoped for. Horizontally, I’m somewhere in the middle, and vertically, I’m climbing deeper into my soul with every piece of art I make.

My verbalized disdain for Aristotelian ideas is rooted more in a desire to be seen, to be understood. If you can’t see my melanin infused middle ground, then surely you can see the polar opposite of something you’re already familiar with. Like in my middle school days, there are moments when I coon myself into visibility. And it’s a really bad classroom survival tactic. It crushes my intelligence and light under the foot of the white gaze.

It’s a tactic born of insecurity and also very real frustration. Let me be clear, I may have moments of being combative, but I am always substantive (at least I try to be). In his seminal work, The Souls of Black Folk, W.E.B. DuBois coined the term “Double Consciousness.”

“It is a peculiar sensation, this double-consciousness, this sense of always looking at one’s self through the eyes of others, of measuring one’s soul by the tape of a world that looks on in amused contempt and pity. One ever feels his two-ness, an American, a Negro; two souls, two thoughts, two unreconciled strivings; two warring ideals in one dark body, whose dogged strength alone keeps it from being torn asunder. The history of the American Negro is the history of this strife- this longing to attain self-conscious manhood, to merge his double self into a better and truer self. In this merging he wishes neither of the older selves to be lost. He does not wish to Africanize America, for America has too much to teach the world and Africa. He wouldn’t bleach his Negro blood in a flood of white Americanism, for he knows that Negro blood has a message for the world. He simply wishes to make it possible for a man to be both a Negro and an American without being cursed and spit upon by his fellows, without having the doors of opportunity closed roughly in his face.”

Growing up in middle America, then attending a PWI for undergrad, Double Consciousness has always been a part of my life (as it is for most Black people everywhere. Thx yte sprmcy). But this idea has never felt so poignant as it does in my first year of grad school. Let me share some scenarios:

When you say that your film is Black Film A crossed with Black Film B and hear crickets in the room, but somehow everyone has seen that obscure Czech film from the 70’s; When you spend more time discussing a white woman’s view of Black womanhood than a literal play by a literal Black woman about Black womanhood; When your professor tells you that your play is, in fact, not a play, because they’ve read none of the seven+ plays that you’re drawing inspiration from.

And here’s the catch, you are expected to know the works of white artists, established or emerging, like the back of your hand. Double Consciousness means double the work. Black artists, there are [at least] two canons that you have to know. The Black one that gives you life, speaks to your history and your soul, and the white one that gets you audiences and a degree. And let me add these massive caveats, you are no less Black if you are inspired by white artists and this is much more complicated than this binary. But for me, it’s a matter of creating within two worlds. It’s something that I’m going to have to reconcile as long as I’m in grad school, if not for the rest of my artistic life. What does that look like in the classroom? Being silent or invisible or being loud and hyper visible? Often it feels like a deadly combination.

I went for hyper-visibility again.

Recently, I had an assignment to bring in a produced scene (something that you’d be able to see in theaters or on tv), along with a script of that scene, so that we could compare the two as a class. After almost a semester of doing this exercise, I got tired of being one of the only people that’s never seen a given white-people-famous clip. I wanted to bring something that excited me, that I was familiar with, was helpful to my process, and reflects the kind of work that I want to make. So, I brought in Kahlil Joseph’s good kid m.A.A.d city film—which was originally a dual channel projection piece—and the lyrics to Kendrick Lamar’s “Sing About Me, I’m Dying of Thirst,” from the good kid album—which Lamar calls a short film.

It’s one of my favorite films and Kahlil Joseph is certainly my favorite director. But if I’m being honest, the very real creative and academic benefits of unpacking a piece like that were accompanied by some tongue in cheek. (And if it wasn’t already clear, I wore my Toni Cade Bambara t-shirt). But I was scared. Like actually so nervous my hands were shaking and I was talking faster than I already do. I over-explained myself because I wanted it to be clear that I had receipts. Black Girls ALWAYS need receipts. Sometimes it feels like that’s the only way that anyone will listen, let alone take us seriously. Then we read and watched the clip.

And it was okay; I was okay.

People shared thoughts, asked questions, offered alternative interpretations. One kid even challenged my interpretation of Kendrick’s album. It felt like most of my fellow artists were there with me. Like even those who may not have understood at least cared and valued my right as a fellow learner to discuss the things that matter to me. I didn’t have all of the answers, but I also felt less naked and alone in the classroom than I have in a while. (Is this my Randall Pearson moment?)

So @God, thank you.

For the courage to bring in something that felt like a piece of myself and who I want to be. For the conviction that Black art does and has always mattered. For confidence in You that reminds me that I deserve to be seen. Jesus, You’re the light at the end of the tunnel.

To all my Stage-D-Cadets, thank you for engaging in a real way. Know that for your Black (and other POC…but we’re talking about Black Girls here) classmates, that’s a real gift. It was the first time that my voice felt fully present in the room. It felt like I wedged a little path for myself and my work in this program.

And for my Black Girls pursuing or thinking about pursuing an MFA, a few proverbs for your edification:

  1. Be your bold/beautiful/Black/brilliant self. As artists, we come to institutions in search of instruction, refinement, and mentorship. But what they can’t teach you is your soul, your imagination. It’s easy to feel like making something “good” means adopting their structures and losing your spark. That’s just not true. I’m of the opinion that an MFA program shouldn’t be a factory of cookie cutter artists. Be humble and eager to learn, but also be the master of your own art.
  2. Protect your spirit, your work, and your seeds. Some folks like to call this “guarding your heart.” I’ve come to find that that’s about more than not leaving yourself vulnerable to damaging relationships. That thing that makes you excited? Maybe that’s not the thing to get in a heated debate about. Maybe your idea is so dope that they can’t understand it yet. Maybe that seed of your next masterpiece needs time to grow before it’s pruned. I know I’ve walked away from many a writing class feeling physically ill and disoriented because the experience of having something so dear to me be ripped apart was lowkey traumatizing. My ideas are my babies. That’s not to say that you don’t need the criticism (trust me, girl, you do. You’re incredible, but not perfect, so you better get your money’s worth), but you need to know the proper time for it. Give yourself time to love what God dropped in your imagination. Because if you don’t, who will?
  3. Do the work. I know you’re mad that Susan in your film class has never heard of Julie Dash in her life, but looks at you sideways when you haven’t seen the 17th Rocky movie. But, to paraphrase Ravynn, we have to be the artists to get these degrees so that a Black Girl ten years from now doesn’t have to fight for professors to value her sources of inspiration. You are going to be tired, you are going to be frustrated, but these trials come to make you stronger. This is really a note to self to double down on my commitment to doing double the work, so keep me in check, y’all. Capital F freedom is too important for me not to be the best artist that I can be. I like to think that someone down the line will be happy that I did.

For any of this to work, my heart’s gotta be in the right place. I pray that God’s Kingdom come, that reconciliation would be real, but sometimes wonder how much I mean it. Is my armor more valuable than my healing? Well, sometimes I make it that way. How can I defend my voice and the tradition from which I come without sacrificing my mandate and desire to show love to literally everyone? That’s a struggle every single time I walk into the classroom or share my work. But if my journey is hard and my consciousness is double, is it also not true that Christ reconciled this conundrum on the cross? (spoiler: that one is in fact true). I don’t have all of the answers, I’m finding pieces of them everyday. As for me and Aristotle’s relationship status: it’s complicated. But, in the last weeks of my first semester of grad school, I’m finding enough hope to know that the journey of making this art is worth figuring out this whole Black Girl thing.

Don’t Wait Until Tenure: A Journey of Hair, Self-Love and New Beginnings

By Angela Crumdy

On November 17th, 2018 my locs turn three years old. Yes, I plan on throwing a party or at least getting my hair done. It’s been a journey worth celebrating. Until this point, my relationship with my hair has ranged any where from indifferent to antagonistic. Growing up, I was teased for having ‘Oprah Winfrey’ hair. Hairstylists often described my mane as thick, coarse and one even likened doing my hair to “performing surgery.” I started getting relaxers in high school, but I was never really happy with that either—it was convenient, but my hair was always limp and lifeless. I went completely natural my junior year of college after spending three months in Cuba for a study abroad program. I was liberated from the ‘creamy crack’, but being a loose natural had it’s own set of challenges. For four years, I struggled to find the right products, tools and styles to suit my 4c hair. I poured over Curly Nikki blog forums and various YouTube channels like Napptural85 hoping that something would be the magic fix. I spent most of that time being frustrated with my hair and myself, and yet, I persisted.

When I began graduate school, there was very little time for me to fight my hair, balance a full course load, adjust to life in a new city, and, given my ever present imposter syndrome, try to figure out if I’d made the right decision to pursue a PhD in the first place. My hair looked just as frazzled as my brain, and it was not cute. As the only woman of color in my cohort, I was hyper-aware of my appearance and what my presence signified in the predominantly white space. Early on, I had the all too common experience of a white woman putting her hands in my hair “because she does it with all of her friends.” This, coupled with the fact that my nearly four year relationship was coming to an end, is what finally got me to start my loc journey. What else did I have to lose?

There was a running joke with a few friends of mine that we would loc our hair once we got tenure, but the graduate school experience was already taking so much out of me that I wasn’t sure if I was going to make it to that point or if I even wanted to. I felt numb, and I realized that, life was too short to put off something I truly desired for an uncertain future. Maybe in all that was ending for me, I needed something to remind me that new beginnings were possible. I needed something positive to look forward to. So, after doing a Yelp search, I walked into a salon in my Brooklyn neighborhood, and made an appointment. I distinctly remember the loctician telling me that my locs were going to look like worms, but at that point, things really couldn’t get any worse.

As I approach this three-year milestone, I really think of it as a testament to how far I’ve come professionally and personally. There were times when I didn’t know what my baby locs would evolve into as they grew much in the same way that I didn’t’ know what would be in store for me as I developed my research project. As my locs matured so did I, and now, I am about to embark on fully funded dissertation fieldwork on a project that I found extremely rewarding. I’m finally settling in to myself as a scholar, and this is the first time in my life that I can honestly say that I love my hair. I finally don’t feel like I’m fighting myself, which is important when I am constantly confronted with external forces that would prefer I pursue the life of the mind and leave my body behind. My hair is now an adequate expression of how I’ve come to understand myself as person, and I am extremely grateful for the journey—ugly phase and all. Cheers to three years and not waiting for tenure to begin taking steps to become the person I’ve always wanted to be.


Angela Crumdy picAngela Crumdy was raised in Charlotte, North Carolina and is currently a fifth-year doctoral student in anthropology at The Graduate Center, CUNY. She holds a B.A. in anthropology and Latin American & Caribbean Studies from the University of Michigan, Ann Arbor.  Her current dissertation research examines the experiences of Cuban women educators historically and during the country’s contemporary teacher shortage. In her free time, she enjoys salsa dancing, volunteering and blogging on her health and wellness site academicmuscle.com.