Tag Archives: American Studies

Week 1, or Ravynn Begins Again

Sometimes it’s still hard to believe that I have an entire year of graduate school experience under my belt. I was an editorial apprentice for a year, I presented a paper at a conference, I took six classes and wrote substantial papers for all of them. I did archival research, wrote a Masters thesis, and even took a summer job as a Course Instructor for the Keio program.

One entire year later, I stand once again at the precipice of another academic year, filled with surprises, challenges and joys, knowing that if it gets harder, at the very least, I can say I got through one year already– what’s another?

This year, this semester, looks a lot different for me already. Instead of the highly structured work of being an Omohundro apprentice, I’m now working with the nebulous Lemon Project, where my physical presence is only required for one hour a week, which I am to spend in my office in Blair Hall. Thus far, this year’s assistantship has been a lot of e-mails and meetings, going to events and planning for them. It’s a good year to be doing the work I’m doing, as it’s the 50th anniversary of residential African-American students at the College. I’m sure a lot of interesting opportunities will arise because of this over the next year.

My current task is simply to organize the first Porch Talk of the semester. I suggested making it self-care themed, as this is a particularly difficult time for a lot of people, given the political climate of America, and also recent events in Charlottesville. Now’s as good a time as any to work on keeping ourselves sane while preparing to fight the good fight.

In addition to this, I’m also going to help my boss move forward with her idea for a Lemon Project journal, hopefully to come out during the Lemon Symposium in the spring. I’m certain that this is going to be my pet project for the duration of my time with Lemon.

In terms of classes, I’ve got a dope line up: New Media, Old Media (it is what is sounds like, a media studies class); Anthropological Reflections of the African Diaspora (taught by a former Black Panther); and Feminist Theory (a class that I have astonishingly managed to miss despite my interest in feminism). It’s going to be tough: it’s the first class line up I’ve had in grad school that doesn’t have at least one literature course, which usually helps me break up the monotony of the academic-ese and theory I have to read. Plus, I’ve never taken a media class (I just sort of got drawn to it on my own and was self-taught until now), I did anthropology once my first semester at UVA, and theory isn’t my favorite. But, given that I do comics and often talk about their television and film counterparts, New Media, Old Media will be useful; I love doing Black Studies in basically any form; and who doesn’t need a good feminist theory class? (Rhetorical; I can think of a few people who think they wouldn’t need it.)

Not only will these courses take me out of my academic comfort zone, they will also challenge my critical thinking skills and how I express my knowledge. New Media, Old Media is going to require me to write blog posts and do a scalar project (I don’t know what this means yet, my first class is tomorrow), so my final paper will be shorter because I’m doing so much other work. Feminist Thought is going to have me thinking outside of the box as well: my professor wants us to write a book review and an oped during the semester, and a research proposal or a lit review for our final papers. She thinks it’s worth being able to express yourself in a variety of ways; I couldn’t agree more. Reflections of the African Diaspora will be more traditional, but even that final won’t require me to do a research paper: my professor wants a lit review.

Now, don’t get me wrong, I’m excited to have different creative projects this semester, but I will admit, I was already starting to think about the research paper I could write for Feminist Theory about the Dora Milaje in Black Panther. It would be a cool paper that could potentially turn into a dissertation chapter, or at the very least, something to submit for a conference. At least I can write the proposal for that paper and tuck it away for a later date.

And amid all the chaos of starting classes and a new assistantship, I have my biggest project yet looming over me: my Masters thesis. The Dean kindly reminded my advisor that I need to be defended in September. It’s not as though I won’t be ready, but the message definitely jolted me awake and reminded me that I can’t let edits drag on forever. The fact is, I had my first draft in to my advisor on August 1. She gave me my edits back. Now, I’m working on them and the goal is to have draft 2 in by September 15. That gives me time to organize my committee and prepare my notes for my defense for the last week in September.

I can absolutely do it. The edits my advisor gave me are substantial, but doable in the amount of time I have, if I focus. Fortunately, time management and self-discipline are some of the strongest tools in my arsenal.

My plan for this week is to keep editing as I’ve done the last few days, letting my reading for class sort of take the backseat for a few weeks until I’ve gotten through my Master’s Defense. (Though I have every intention of keeping up.) I want to see my advisor about a few finer points she brought up in her comments, suggestions for citing a few things, and maybe a pep talk, but after that, I want to kick into high gear.

If all goes to plan, I’ll be 23 with a Master’s Degree, and the newly freed up mental space to take on new projects in 2018. Then, I can think about the next set of obstacles: Comps.

Fortunately, I have a low key assistantship with flexible hours, so I can afford to spend more time on my thesis this first month of the semester. Most of the work comes in the spring, I hear, with the arrival of the Symposium and Branch Out. I’ve also got a dog that I love, who helps remind me that the most important things in my life are not on my computer, a mom and dad nearby to catch me if I fall, and a community of mentors, scholars, and friends who encourage me. Talking to a friend from UVA who is now ABD at Penn gave me the jolt I needed to jump start my year; Kels is my perpetual hypeman– she keeps me going when I want to give up, so I do my best to return the favor when law school plays too much; and seeing all that Professor Harold has accomplished reminds me that, if she can do it, so can I.

My academic community may not necessarily be here with me in Williamsburg, but I know there are some people out there who’ve got my back. They give me the strength to begin again.

Intermission, ft. Note taking: Tools and techniques

I was chatting with a friend yesterday (hi, Micah) when I had the idea to write a post about my favorite note taking tools since arriving in graduate school. The idea came about as Micah was asking for advice for starting her thesis, so I told her what every professor and grad student I’ve ever met told me: write everything down.

It seems basic, but truly, the Academy is a world where you spin out your most intricate ideas. An idea you had on the bourgeoisie 20 years ago might be just what you need to round out that pesky paper you’ve been fighting on protest music for the last 14 months. If you have a system of documenting your ideas, you can go back to them at any time.

So, first things first, it’s worth thinking about whether you’ll do your note taking analog or digital— handwritten or digitally.

STRATEGY: HANDWRITTEN NOTES

Anyone that knows anything about me knows that I go nowhere without a physical book, (several) pens, and at least one notebook or planner. The process of writing things down with pen and paper is one of the most calming experiences I know, so naturally I use this method for note taking in class and for my readings. My thought process is that if I’m going to hand write everything, I may as well make it pretty, so I splurge on my journals and pens for the semester.

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TOOL OF THE TRADE

Up until this summer, I’ve stood firm on my love for Moleskine journals. I started using them in my second year of college and never turned back. Because I had a pretty established and functional note taking routine from undergrad, I didn’t change very much. I love the polished look of a hard back Moleskine– I label them and stick them on my bookshelf at the end of the semester like they were any other book I purchased. I’ve never run out of pages, I seem to just make it to the end of the semester in them, which brings me to another strategy…

STRATEGY: USE ONE JOURNAL FOR YOUR ENTIRE SEMESTER OF CLASSES

Okay, I definitely see how this one could be controversial. When we think about school, we’re trained to think about buying a separate binder and notebook for every subject. It helps us focus and dedicate our energy to one thing at a time, but one thing I noticed as I took more rigorous classes at UVA was that I tended to take fewer notes. The more rigorous the class, the more they tend to be built around ideas and themes, rather than a list of facts that you learn by rote memorization, especially in the humanities. I used to take 4 or 5 pages of notes per class in undergrad, whereas now, I’m lucky if I fill an entire page in my journal during one class in grad school at times. Fewer notes and a less pressing need to write down everything means you’re less likely to fill an entire notebook for each class, so I consolidate.

TIP: SO WHAT ARE YOU TAKING NOTES ON THEN?

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I think everyone will make the mistake of reading more than you need to and taking more notes that you need to until you finally get into the rhythm of what types of notes and information you’re looking for that will be useful for you.

In class: When discussing a book or an article in class, particularly if it will be relevant to me or my work at some point, I always make sure to write anything down that will put me closer to figuring out what the main project or argument of the book/article is. I write down particularly compelling arguments that my classmates put forth, important clarifications that my professors make on the book’s arguments, and anything on the author’s biases that would have impacted how and why they wrote their project. Unfamiliar terms are always nice to jot down, as well as any questions you asked that you got a particularly good answer to. I also like to write down any random thoughts that come to me while I’m thinking about the books, because often the ideas that get batted around the table like a high speed Wimbledon match are the ones that become paper topics down the line.

While reading: Take good notes on the introduction, paying special attention to the main argument and any key terms the author may introduce, then make sure you get the gist of the chapters that follow. Make it your goal to see if the author convincingly, persuasively and adequately argues their main idea in their chapters, noting passages or points that add to their argument or detract from it.

TRICK: SO HOW DO YOU ORGANIZE ALL YOUR CLASSES IN ONE NOTEBOOK?

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There is, my friends, a glorious wonderful thing called bulletjournaling. Essentially it’s a DIY planner/to do list/diary hybrid. It’s made for people who are extraordinarily type A but also enjoy adding a little creativity to their day-to-day life, especially when they otherwise wouldn’t be able to do. (So, me…) For my grad school bullet journal, I lean most heavily on the planner/to-do list aspect of the journal. I begin my journal with a calendar of the months of the semester, and go ahead and plug in any important dates based on the syllabi I receive. From there, I just go week by week. I start by creating a spread like you see above: on the left, I write down all of the readings I’m supposed to do for each class. At the bottom of the page, I do a tentative reading schedule, where I break down the big books into chapters, and space out my readings so I’m not overwhelmed and trying to read 3 articles before class. On the right, I like to keep an overview of my week, plug in classes, appointments, meetings, so I can see what time I might have free during the week to finish any of the assignments that didn’t get done in the designated time.

Tip: I know this seems almost a little too structured, but there’s a lot of flexibility built into this system. When I give myself three academic tasks to finish during the course of the day, I never say when during the day I’ll do it. It doesn’t matter whether I do it at 6 AM or 11 PM at night, as long as I get it done at some point during the day, it’s productive time well spent.

Tip: I also never berate myself for not doing everything on my to do list. Some days I don’t feel like doing what I listed, so I pick to do items from other days. Sometimes I get really into a book and read the whole thing instead of breaking it up over a couple days, but then I don’t do the other items on my list. Somedays, I’m not up to doing much so I do all the easy tasks and some days I don’t feel like doing anything at all. Be firm in your decision to manage your time, but flexible in ways you manage it.

During the week, I just take notes for my classes as I go. The one big seminar a week per class structure lends itself well to organizing– you have notes from class in the same order pretty much every week. Then as I’m nearing the end of the semester, I might color code my notes for even easier access by either assigning each class and schedule page a different post it note color and marking them all like that, or I might use the same strategy with just a regular marker.

For all this organizing and color coding, it’s worth having a few types of pens/markers at your disposal…

TOOLS OF THE TRADE

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Who doesn’t have a pen preference? For me, my preference often changes based on what type of paper I’m writing on. (Seriously, pens write differently on various types of paper.)

For the first few years of my Moleskine usage, nothing looked better in my journals that Staedtler black fineliners. I still very much enjoy using them today, but I find I enjoy writing with Pilot Precise v5 pens. The pilot pen is totally different– it has free flowing ink which doesn’t dry almost immediately like the Staedtlers and it’s a little more difficult to grip, but I find they don’t run out as fast as the Staedtlers. The first two weeks of use with the Staedtlers are perfect– until the felt tip starts to bend out of shape or fray or run out of ink. I would consistently go through two or three packs of those a semester, while I’ve used the same two or three pilot pens for the same length of time. The Pilots aren’t perfect but I also haven’t found a brand I like more than them at the moment.

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If you want to add some bolder black lines for headings, I highly recommend Pentel sign pens. They make great lines that don’t smudge and they’re also good if you’re interested in learning calligraphy or basic lettering to jazz up your notebook. (see example below)

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Tip: Don’t get too invested in making it beautiful. What you really need is something that is functional and practical for you. My journals are excessively pretty because it’s relaxing for me. I enjoy spicing up my otherwise dreary notes with color. Plus it helps me focus when I’m in class– it absolutely feels like it would be distracting, but the concentrating on what I want to write and how I want to write it, helps me absorb and retain information, and I’m more likely to be focused on the conversation, because I’m thinking about what I’ll add next.

LONG STORY SHORT…

Note taking is a lot about finding what works for you. I just happen to really enjoy the process of taking notes and have found my note taking strategies to be effective for me, and have been for quite some time.

Also, just because I prefer handwritten notes, doesn’t mean I always use them. For example, for articles or short excerpts of essays, I like to download them to NotesPlus and highlight important parts, do marginalia and write summaries on the document itself. This helps me keep track of all the articles I’ve ever read, since they’re all in one place without having to print out a bunch of loose pages.

I know plenty of people who swear by digital notes only, using Evernote or OneNote to keep track of the semester’s notes. Some people like having all of their notes digitally but prefer to hand write things, so an option is to get a notetaking app like NotesPlus for your device of choice and invest in a good stylus, and take handwritten notes on your device. Some people print all their articles, put them in a binder and sticky note the crap out of them.

Most people told me you’ll play around with a few different note taking techniques before you figure out what your preferred method is, saying that you definitely won’t take notes like you did before.

That may or may not be true.

I found that I take notes more or less the same way I did when I was undergrad, with a few adjustments, and that seems to have been working very well for me. Still, never be afraid to step out of your comfort zone and try new things. You’d be surprised to see what works!


I tried to keep the more confusing aspects of bullet journal designing out of this post, but if anyone’s interested in how I do that, leave comments below! Relatedly, if you’re interested in how to build a finals writing and reading schedule schedule, make sure you leave comments!

Intermission ft. “How to Ignore Bad Advice”

Greetings!

It’s been a while since I’ve written an update, because to be honest I’m doing the boring part now: writing.

After I visited the archive at the end of June, I spent a few weeks just sifting through the issues, reading and taking notes. It took a lot longer than I imagined– what I thought would be a solid two days of work turned into a week and a half of sifting, even when I was spending a few hours a day taking notes on issues. In my defense, the Fourth of July holiday popped up in the midst of all that, so I took necessary breaks to enjoy hot dog.

Finally, once I’d sifted as long as I could, I told myself it was time to just do it. The best advice I’d ever received and the best advice I’d ever given in grad school is to just start writing. You can only plan so much– at some point, you need to put the outline down, put down the notes, stop making excuses. The longer you put off beginning to write, waiting for the perfect set of sources, or reading one more book, the more frazzled you’re going to be. Just write. Work with what you have– you can always go back and add things later. Don’t expect the first go to be perfect– it won’t be. You’ll have to edit. Even if you write what you think is the world’s best essay, I guarantee, your advisor will still send you back three pages of edits to make.

It makes me feel better to know that even the authors published books and articles probably had pages and pages of suggested edits for their pieces, even after they were published. But at some point, just like forcing yourself to write, you’re going to have to force yourself to stop.

For me, and for a lot of people, getting the tap to turn on is the hard part. So to alleviate that, I just make myself write a little bit every day, even if it’s just a summary of a book I want to use, or a page of good notes on the issue that I want to work on– I just write so I have material to work with.

Then finally, one morning, I woke up at like 6 AM and my tap was on and all the ideas were flowing.

I wrote all morning and, at noon, collapsed gratefully on my bed.

Ever since, my Black Panther essay has been shooting out of me in bursts of about 2 or 3 single spaced pages at a time. I’m so grateful for this because I was getting worried about that piece: to this day, it’s the best idea I’ve come up with so I’ve been writing it and rewriting it for almost an entire year now. I turn my ideas over in seminar papers, blog posts, conference papers, and now, I’m attempting to consolidate everything I’ve been thinking about into a paper that, ideally, won’t be longer than 40 pages.

I’m currently up to 19/20 single spaced pages, but that includes a bibliography and images, and I haven’t even written two entire sections.

I’m going to have to edit the crap out of this essay.

With this amount of work and pressure on on my shoulders, I definitely need support and I’ll take it where I can get it but it’s also worth being able to identify good advice and throw out the bad.

GOOD ADVICE:

  • Visit an archive
  • Make sure you are well prepared for your visit
  • Write a little every day (or most days) so that it won’t get down to the last week and you’re writing in a unintelligible frenzy
  • Take breaks
  • Stay organized

GOOD SUPPORT:

  • Offer to go write with your friend
  • Commiserate during difficult moments and celebrate breakthroughs
  • Cheer them on! Positive vibes are always appreciated

BAD ADVICE:

(To be fair, everyone has different versions of what constitutes bad advice, but these are the worst comments you could offer in an attempt at helping, for me)

  • You’re going to need to cut X amount of material
  • Prepare for your thesis to not work the way you want it to
  • Expect the process to take exceptionally longer than you anticipate
  • Expect your advisor to be difficult

The thing about offering advice to people who are working on long written projects is that good advice is useful across the board, but bad advice tends to be based solely on negative experiences that one’s had while embarking on their own adventure. While it may not be entirely bad advice, it’s a little like telling someone that they should expect traffic in certain places on I95 when the other person is driving on 288– you can get to about the same place, but you’ll be using entirely different routes to get there, thus ensuring different problems.

It’s also not helpful to compare your journey to anyone else’s. For one thing, academia is based on a celebration of uniqueness– the idea is every project is unique. So, technically, there shouldn’t be an exact precedent for your situation. You can sort of gauge a possible path and set of likely occurrences, but ultimately, your project is one of a kind. You likely didn’t use the same type of sources as the next person, or you used a different type of method, or wrote in a different style. All of these things are factors that will contribute to a potentially extraordinarily different experience in working on your project.

So for the time being, I’m trying not to concentrate on how much I’m going to have to cut, but rather on just getting all of my ideas out onto the page. I’m not going to worry about my advisor because it’s my goal to do as much work as I can on my own before I have to get my advisor involved. I’m not going to worry about the length, but about making sure that I’m saying everything that I need to say.

There are so many potential problems I could focus on while I’m working on one of the most important projects of my young life– but instead I’m going to remember that this is a chance for me to say something really special, and that no one is going to be able to say it the way that I can.

It’ll work itself out.

I’m going to think positively about it.

I’ve gone through too much to let someone else’s experiences dictate how I think about and approach a problem.

I have enough negativity of my own– I’m not letting anyone else’s in.