Intermission, ft. Note taking: Tools and techniques

I was chatting with a friend yesterday (hi, Micah) when I had the idea to write a post about my favorite note taking tools since arriving in graduate school. The idea came about as Micah was asking for advice for starting her thesis, so I told her what every professor and grad student I’ve ever met told me: write everything down.

It seems basic, but truly, the Academy is a world where you spin out your most intricate ideas. An idea you had on the bourgeoisie 20 years ago might be just what you need to round out that pesky paper you’ve been fighting on protest music for the last 14 months. If you have a system of documenting your ideas, you can go back to them at any time.

So, first things first, it’s worth thinking about whether you’ll do your note taking analog or digital— handwritten or digitally.

STRATEGY: HANDWRITTEN NOTES

Anyone that knows anything about me knows that I go nowhere without a physical book, (several) pens, and at least one notebook or planner. The process of writing things down with pen and paper is one of the most calming experiences I know, so naturally I use this method for note taking in class and for my readings. My thought process is that if I’m going to hand write everything, I may as well make it pretty, so I splurge on my journals and pens for the semester.

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TOOL OF THE TRADE

Up until this summer, I’ve stood firm on my love for Moleskine journals. I started using them in my second year of college and never turned back. Because I had a pretty established and functional note taking routine from undergrad, I didn’t change very much. I love the polished look of a hard back Moleskine– I label them and stick them on my bookshelf at the end of the semester like they were any other book I purchased. I’ve never run out of pages, I seem to just make it to the end of the semester in them, which brings me to another strategy…

STRATEGY: USE ONE JOURNAL FOR YOUR ENTIRE SEMESTER OF CLASSES

Okay, I definitely see how this one could be controversial. When we think about school, we’re trained to think about buying a separate binder and notebook for every subject. It helps us focus and dedicate our energy to one thing at a time, but one thing I noticed as I took more rigorous classes at UVA was that I tended to take fewer notes. The more rigorous the class, the more they tend to be built around ideas and themes, rather than a list of facts that you learn by rote memorization, especially in the humanities. I used to take 4 or 5 pages of notes per class in undergrad, whereas now, I’m lucky if I fill an entire page in my journal during one class in grad school at times. Fewer notes and a less pressing need to write down everything means you’re less likely to fill an entire notebook for each class, so I consolidate.

TIP: SO WHAT ARE YOU TAKING NOTES ON THEN?

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I think everyone will make the mistake of reading more than you need to and taking more notes that you need to until you finally get into the rhythm of what types of notes and information you’re looking for that will be useful for you.

In class: When discussing a book or an article in class, particularly if it will be relevant to me or my work at some point, I always make sure to write anything down that will put me closer to figuring out what the main project or argument of the book/article is. I write down particularly compelling arguments that my classmates put forth, important clarifications that my professors make on the book’s arguments, and anything on the author’s biases that would have impacted how and why they wrote their project. Unfamiliar terms are always nice to jot down, as well as any questions you asked that you got a particularly good answer to. I also like to write down any random thoughts that come to me while I’m thinking about the books, because often the ideas that get batted around the table like a high speed Wimbledon match are the ones that become paper topics down the line.

While reading: Take good notes on the introduction, paying special attention to the main argument and any key terms the author may introduce, then make sure you get the gist of the chapters that follow. Make it your goal to see if the author convincingly, persuasively and adequately argues their main idea in their chapters, noting passages or points that add to their argument or detract from it.

TRICK: SO HOW DO YOU ORGANIZE ALL YOUR CLASSES IN ONE NOTEBOOK?

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There is, my friends, a glorious wonderful thing called bulletjournaling. Essentially it’s a DIY planner/to do list/diary hybrid. It’s made for people who are extraordinarily type A but also enjoy adding a little creativity to their day-to-day life, especially when they otherwise wouldn’t be able to do. (So, me…) For my grad school bullet journal, I lean most heavily on the planner/to-do list aspect of the journal. I begin my journal with a calendar of the months of the semester, and go ahead and plug in any important dates based on the syllabi I receive. From there, I just go week by week. I start by creating a spread like you see above: on the left, I write down all of the readings I’m supposed to do for each class. At the bottom of the page, I do a tentative reading schedule, where I break down the big books into chapters, and space out my readings so I’m not overwhelmed and trying to read 3 articles before class. On the right, I like to keep an overview of my week, plug in classes, appointments, meetings, so I can see what time I might have free during the week to finish any of the assignments that didn’t get done in the designated time.

Tip: I know this seems almost a little too structured, but there’s a lot of flexibility built into this system. When I give myself three academic tasks to finish during the course of the day, I never say when during the day I’ll do it. It doesn’t matter whether I do it at 6 AM or 11 PM at night, as long as I get it done at some point during the day, it’s productive time well spent.

Tip: I also never berate myself for not doing everything on my to do list. Some days I don’t feel like doing what I listed, so I pick to do items from other days. Sometimes I get really into a book and read the whole thing instead of breaking it up over a couple days, but then I don’t do the other items on my list. Somedays, I’m not up to doing much so I do all the easy tasks and some days I don’t feel like doing anything at all. Be firm in your decision to manage your time, but flexible in ways you manage it.

During the week, I just take notes for my classes as I go. The one big seminar a week per class structure lends itself well to organizing– you have notes from class in the same order pretty much every week. Then as I’m nearing the end of the semester, I might color code my notes for even easier access by either assigning each class and schedule page a different post it note color and marking them all like that, or I might use the same strategy with just a regular marker.

For all this organizing and color coding, it’s worth having a few types of pens/markers at your disposal…

TOOLS OF THE TRADE

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Who doesn’t have a pen preference? For me, my preference often changes based on what type of paper I’m writing on. (Seriously, pens write differently on various types of paper.)

For the first few years of my Moleskine usage, nothing looked better in my journals that Staedtler black fineliners. I still very much enjoy using them today, but I find I enjoy writing with Pilot Precise v5 pens. The pilot pen is totally different– it has free flowing ink which doesn’t dry almost immediately like the Staedtlers and it’s a little more difficult to grip, but I find they don’t run out as fast as the Staedtlers. The first two weeks of use with the Staedtlers are perfect– until the felt tip starts to bend out of shape or fray or run out of ink. I would consistently go through two or three packs of those a semester, while I’ve used the same two or three pilot pens for the same length of time. The Pilots aren’t perfect but I also haven’t found a brand I like more than them at the moment.

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If you want to add some bolder black lines for headings, I highly recommend Pentel sign pens. They make great lines that don’t smudge and they’re also good if you’re interested in learning calligraphy or basic lettering to jazz up your notebook. (see example below)

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Tip: Don’t get too invested in making it beautiful. What you really need is something that is functional and practical for you. My journals are excessively pretty because it’s relaxing for me. I enjoy spicing up my otherwise dreary notes with color. Plus it helps me focus when I’m in class– it absolutely feels like it would be distracting, but the concentrating on what I want to write and how I want to write it, helps me absorb and retain information, and I’m more likely to be focused on the conversation, because I’m thinking about what I’ll add next.

LONG STORY SHORT…

Note taking is a lot about finding what works for you. I just happen to really enjoy the process of taking notes and have found my note taking strategies to be effective for me, and have been for quite some time.

Also, just because I prefer handwritten notes, doesn’t mean I always use them. For example, for articles or short excerpts of essays, I like to download them to NotesPlus and highlight important parts, do marginalia and write summaries on the document itself. This helps me keep track of all the articles I’ve ever read, since they’re all in one place without having to print out a bunch of loose pages.

I know plenty of people who swear by digital notes only, using Evernote or OneNote to keep track of the semester’s notes. Some people like having all of their notes digitally but prefer to hand write things, so an option is to get a notetaking app like NotesPlus for your device of choice and invest in a good stylus, and take handwritten notes on your device. Some people print all their articles, put them in a binder and sticky note the crap out of them.

Most people told me you’ll play around with a few different note taking techniques before you figure out what your preferred method is, saying that you definitely won’t take notes like you did before.

That may or may not be true.

I found that I take notes more or less the same way I did when I was undergrad, with a few adjustments, and that seems to have been working very well for me. Still, never be afraid to step out of your comfort zone and try new things. You’d be surprised to see what works!


I tried to keep the more confusing aspects of bullet journal designing out of this post, but if anyone’s interested in how I do that, leave comments below! Relatedly, if you’re interested in how to build a finals writing and reading schedule schedule, make sure you leave comments!

Intermission ft. “How to Ignore Bad Advice”

Greetings!

It’s been a while since I’ve written an update, because to be honest I’m doing the boring part now: writing.

After I visited the archive at the end of June, I spent a few weeks just sifting through the issues, reading and taking notes. It took a lot longer than I imagined– what I thought would be a solid two days of work turned into a week and a half of sifting, even when I was spending a few hours a day taking notes on issues. In my defense, the Fourth of July holiday popped up in the midst of all that, so I took necessary breaks to enjoy hot dog.

Finally, once I’d sifted as long as I could, I told myself it was time to just do it. The best advice I’d ever received and the best advice I’d ever given in grad school is to just start writing. You can only plan so much– at some point, you need to put the outline down, put down the notes, stop making excuses. The longer you put off beginning to write, waiting for the perfect set of sources, or reading one more book, the more frazzled you’re going to be. Just write. Work with what you have– you can always go back and add things later. Don’t expect the first go to be perfect– it won’t be. You’ll have to edit. Even if you write what you think is the world’s best essay, I guarantee, your advisor will still send you back three pages of edits to make.

It makes me feel better to know that even the authors published books and articles probably had pages and pages of suggested edits for their pieces, even after they were published. But at some point, just like forcing yourself to write, you’re going to have to force yourself to stop.

For me, and for a lot of people, getting the tap to turn on is the hard part. So to alleviate that, I just make myself write a little bit every day, even if it’s just a summary of a book I want to use, or a page of good notes on the issue that I want to work on– I just write so I have material to work with.

Then finally, one morning, I woke up at like 6 AM and my tap was on and all the ideas were flowing.

I wrote all morning and, at noon, collapsed gratefully on my bed.

Ever since, my Black Panther essay has been shooting out of me in bursts of about 2 or 3 single spaced pages at a time. I’m so grateful for this because I was getting worried about that piece: to this day, it’s the best idea I’ve come up with so I’ve been writing it and rewriting it for almost an entire year now. I turn my ideas over in seminar papers, blog posts, conference papers, and now, I’m attempting to consolidate everything I’ve been thinking about into a paper that, ideally, won’t be longer than 40 pages.

I’m currently up to 19/20 single spaced pages, but that includes a bibliography and images, and I haven’t even written two entire sections.

I’m going to have to edit the crap out of this essay.

With this amount of work and pressure on on my shoulders, I definitely need support and I’ll take it where I can get it but it’s also worth being able to identify good advice and throw out the bad.

GOOD ADVICE:

  • Visit an archive
  • Make sure you are well prepared for your visit
  • Write a little every day (or most days) so that it won’t get down to the last week and you’re writing in a unintelligible frenzy
  • Take breaks
  • Stay organized

GOOD SUPPORT:

  • Offer to go write with your friend
  • Commiserate during difficult moments and celebrate breakthroughs
  • Cheer them on! Positive vibes are always appreciated

BAD ADVICE:

(To be fair, everyone has different versions of what constitutes bad advice, but these are the worst comments you could offer in an attempt at helping, for me)

  • You’re going to need to cut X amount of material
  • Prepare for your thesis to not work the way you want it to
  • Expect the process to take exceptionally longer than you anticipate
  • Expect your advisor to be difficult

The thing about offering advice to people who are working on long written projects is that good advice is useful across the board, but bad advice tends to be based solely on negative experiences that one’s had while embarking on their own adventure. While it may not be entirely bad advice, it’s a little like telling someone that they should expect traffic in certain places on I95 when the other person is driving on 288– you can get to about the same place, but you’ll be using entirely different routes to get there, thus ensuring different problems.

It’s also not helpful to compare your journey to anyone else’s. For one thing, academia is based on a celebration of uniqueness– the idea is every project is unique. So, technically, there shouldn’t be an exact precedent for your situation. You can sort of gauge a possible path and set of likely occurrences, but ultimately, your project is one of a kind. You likely didn’t use the same type of sources as the next person, or you used a different type of method, or wrote in a different style. All of these things are factors that will contribute to a potentially extraordinarily different experience in working on your project.

So for the time being, I’m trying not to concentrate on how much I’m going to have to cut, but rather on just getting all of my ideas out onto the page. I’m not going to worry about my advisor because it’s my goal to do as much work as I can on my own before I have to get my advisor involved. I’m not going to worry about the length, but about making sure that I’m saying everything that I need to say.

There are so many potential problems I could focus on while I’m working on one of the most important projects of my young life– but instead I’m going to remember that this is a chance for me to say something really special, and that no one is going to be able to say it the way that I can.

It’ll work itself out.

I’m going to think positively about it.

I’ve gone through too much to let someone else’s experiences dictate how I think about and approach a problem.

I have enough negativity of my own– I’m not letting anyone else’s in.

 

Intermission, ft. Baby’s First Archive Trip!

As promised, today I’m rehashing my first archive visit! After completing one successful visit, I am clearly an authority on how to do this (please, please read the sarcasm), so if you need a step by step tutorial, you’ve come to the right place!

Step 1: Have a vague (or specific) idea of what you’re looking for; find an archive that has this vague/specific material– or something closely related.

DO: Ask your professors for leads on archives, archivists who specialize in your topic, universities that have certain collections.

DON’T: Assume the only archive you know about has what you’re looking for.

All I knew when I was starting out was that I wanted to find an archive that had the July 1966 Fantastic Four issue no. 52, which featured the introduction of Black Panther. I really wanted to read Stan Lee’s Soapbox Letters and the Letters from the Bullpen in the early Black Panther comics to see what the discourse around the character was. Everything I’d been using up until yesterday had been a reprint and thus all of the fun extra pages from the originals were absent.

One of my professors gave me a lead on a comic archive in Michigan, but as I’d assumed I’d find something in the National Archive, I didn’t apply for summer research money, thinking I’d just have a jaunt up to D.C. and return with everything I needed. When I finally had time to scour the archives a few weeks ago, I came up empty handed and started to panic.

Once I pulled myself together, I told myself I just needed to follow a different trail. One of my favorite things to do is mine footnotes of articles and books that were inspiring to me. I wound up searching through the entire #WakandaSyllabus just to see if anything would jump out at me. Fortunately, one of the sources in the Syllabus, was a link to an article about VCU’s Comic Collection and the head archivist there, Cindy Jackson, in RVANews. It took me about ten minutes to realize that the archive had every Black Panther comic I needed to look at, and dozens more, and only a few minutes after that to begin drafting an e-mail to the archivist…


Step 2: Reach Out to the Archivist of Your Collection

DO: Go through the archive and have a list of things you’d like to see.

DON’T: Worry about getting everything perfect the first time. Be honest about where you are in your researching journey.

Working with Cindy was fantastic. She promptly replied to emails, was happy to pull additional sources for me that I hadn’t listed, but felt I might enjoy, and was generally outstanding in her knowledge of comics and comic scholars. I knew when we both agreed that Tim Hanley’s Wonder Woman Unbound was a better Wonder Woman history than Jill Lepore’s The Secret Life of Wonder Woman that I was in good hands.

Step 3: Plan Your Visit

DO: Have a date in mind, but be flexible. It may take time for the archivist to gather your materials.

DON’T: Over do it. Don’t ask to see 300 sources when you know you’re only going to be visiting for a day.

I planned on coming in to the archive about a week after I initially reached out to Cindy. I made myself a list of things I needed to see (which really was only the Fantastic Four no. 52 and 53 and a few of the first Jungle Action issues) and then listed everything else as “would be nice but not necessary.”

Cindy gave me a general set of guidelines for what to expect when I got to the archive– she’d pull a set of things for me, but I’d be able to take about 5 into the reading room at a time; there was a scanner but I was able to bring in electronics and a camera if necessary; and she recommended I bring a jump drive, as it’d be a little easier than trying to e-mail myself a zillion pages of comics.

Step 4: Prep For Your Visit

DO: Pack your bag the night before. Charge your electronics. Make sure you have directions to the archive. Take a jacket or a long sleeve shirt in case it’s cold. 🙂

DON’T: Forget your camera battery.

I forgot my camera battery. I left it in the wall, charging.

It wasn’t really that big of a deal because I had my jump drive and was able to scan everything I needed, but I was mostly just annoyed that I’d done all that prep and even ran back into the apartment for snacks and an additional phone and iPad charger— but still forgot the camera battery.

Had the camera. Forgot the battery.

Here’s what I took with me in a tote bag:

  • My iPad
  • My iPhone
  • My iPad/iPhone charger and USB cord
  • My Jump Drive
  • My camera (which was useless without its battery but anywho…)
  • My thesis binder with all my notes, essay drafts, and other related materials (included a pad of paper for scratch notes)
  • My journal, which had written instructions on how to get to the library, and then how to get to the archive once inside
  • Pencil case just bursting with writing utensils (which was also useless as, of course, you’re only allowed to bring in pencils and they have those inside the reading room so…)
  • My wallet
  • Snacks! (I didn’t know what my food situation would be like, alright?)

I didn’t take my laptop, mostly because it’s big and clunky and honestly a piece of crap. But I almost wish I’d taken it, if only because I could’ve used it to make sure all my scans were saving properly. (I’m a little anxious that everything will disappear on me.)

I also wish I’d had business cards with me so I could’ve shared my information with some of the other really nice archivists I met. (Especially since I was planning on writing nice things about them on my blog.)


Step 5: Enjoy the Journey

DO: Blast hype music in the car and sing loudly during the hour I spent on 64 traveling to Richmond.

DON’T: Panic or stress.

Once I got into Richmond, I missed a lot of turns and got really turned around because there was so much construction happening on the campus itself. Cindy had recommended just parking in a lot so I wouldn’t have to move during the day, but I was so worried about arriving late, that I just swung into the first 2 hour spot I found on the street. (Thank God for my three years of parallel parking training in insanely tight street spots near the French House.)

Nevertheless, I was only moderately behind schedule and was ready to head into my latest adventure.

Step 6: Get Started!

DO: Introduce yourself! Explain your project! But also listen to the archivist– they’ll give you valuable information about the archive, the sources they’ve rounded up for you, and any special directions/protocol to follow while working in the reading room.

DON’T: Worry about getting lost on your way to the archive itself! Just ask people where to go. Bonus points if you accidentally run into your best friend from undergrad, who’s studying to be a dentist, while you’re attempting to find the archive. (She helped me find the library.)

As I’ve mentioned, Cindy was an invaluable resource. She pulled a bunch of really awesome comics for me, including one really neat one that was an actual “Black Panther” comic (like the Oakland, CA/Black beret/10 Point Program Panthers), featuring a brother named “Eldridge.” (See below) How sway. She also let me know about cool things they do, like an annual comic sale!

Once we were done chatting, I selected my first five comics and headed into the reading room with my iPad, phone, binder, jumpdrive, charger, and pencil.


Step 7: Start Scanning!

DO: Take a look to see what treasures you’ve uncovered!

DON’T: Spend all day just looking. Start scanning so you can pour over them from the comfort of your home.

My goal was to get everything Cindy had pulled for me scanned and on my jump drive so I could look at everything carefully when I got home.

They had an overhead scanner, so I could look at the pages while the machine did its job. I mostly scanned nonstop, but if something jumped out at me, I’d jot down a note with the issue I found it in. For instance, I just noted things like:

  • Striking villains. (ex. Black Panther v. the Klan)
  • Lynching scenes
  • If Black Panther was listed as a comic you could subscribe to (it usually wasn’t)
  • Who the advertisements were geared to
  • If any of the fan letters stuck out to me.

After I got into a rhythm, it didn’t take me long to move on through the issues.

Around noon, I decided to take a lunch break and move my car…

Step 8: Take a break! Eat! Drink! Be Merry!

DO: Move your car if it’s in two hour parking.

DON’T: Get a parking ticket. (I didn’t, so that was nice.)

Fortunately, there was a full service Starbucks on the first floor of the library, so I met up with my aforementioned friend and we passed an amicable lunch hour together, getting caught up and filling each other in on our respective pursuits. It was only appropriate that the (future) Drs. Stringfield and Dao ran into each other at a library where we were both trying to do work.


Step 9: Finish scanning!

DO: Make sure to get business cards before you leave!

DON’T: Leave the room a mess. Make sure it looks the same as it did when you came in.

I spent the rest of the afternoon scanning more issues and chatting with one of the other archivists, who was pleasant and interested in my project. Before long, I had scanned everything I needed and I tried to use the scanner to see if my scans were being saved on the jump drive properly. It took a while, but I managed to figure it out and I saw about 2 dozen folders on my jump drive, so I figured they’d stuck.

I spent a few minutes writing about the most interesting things I’d seen during the day and what I might like to see if I came again.

I returned everything to its proper place in the reading room and returned the rest of my issues to the archivist on duty, making sure they were placed back correctly in their plastic. I made sure to grab one of Cindy’s cards so I could e-mail her and thank her, as she’d been gone when I was leaving.

For some reason, I’d imagined archive work to be dreary and miserable, but I had passed a remarkably pleasant day, wading through first editions of comics in a bright, newly constructed facility, with enthusiastic and knowledge archivists ready to help me, if I said the word. I was satisfied knowing that I’d found a resource so close to home that I might be able to use not only for my Masters thesis, but for my dissertation as well.


Step 10: Carefully review your new found collection of sources.

So that’s what I’ve been doing this morning when I haven’t been writing up this post. I’ve been looking through my issues, renaming folders as necessary and taking notes, all while enjoying as much coffee as I’d like (one of the downsides of archives: no coffee allowed.)

I’ll be sure to let you all know what treasures I’ve uncovered when I’m done wading through all my sources!


If you’re interested in comic studies and happen to be in the Virginia/DMV area, be sure to give Cindy and the Comic Arts Collection a visit in VCU’s James Branch Cabell Library.

My attempt at joining the Academy